With grit and grace, Geetha Montadka breaks barriers on and off stage

She is one of the pioneering women who defied stereotypes by stepping out of the kitchen and into the limelight of theatre. This profession drew criticism not only from friends but also from her own family.

With nearly four decades of unwavering dedication to the stage, Geetha Montadka is a trailblazing artiste and one of the three remaining ‘OG’ senior performers at Rangayana Mysuru.

On the occasion of International Women’s Day, Star of Mysore caught up with this senior Rangayana artiste to discuss her inspiring journey, life experiences and plans. The conversation also coincides with World Theatre Day today (Mar. 27), making it a fitting tribute to an artiste who dedicated her life to the stage. —Excerpts

By S.N. Venkatnag Sobers

Star of Mysore (SOM): At a time when it was difficult for women to explore opportunities beyond domestic life, what inspired you to pursue theatre?

Geetha Montadka: I have always been determined to follow my aspirations. Active in both academics and extracurricular activities, I eventually joined Rangayana in 1986 — a decision that was met with disapproval from my family, especially my father, as it meant quitting my secure Government job. However, my mother stood by me, encouraging me to chase my passion. Her support, coupled with my resolve to prove my critics wrong, strengthened my determination to reach the goals I had set for myself.

SOM: How challenging was it to leave your native place Sullia in Dakshina Kannada and adapt to a culturally different city like Mysuru?

Geetha Montadka: It was far from easy. I clearly remember the first six years — they were incredibly tough. People couldn’t understand my language, and I struggled to comprehend theirs. Food was another challenge, as I wasn’t accustomed to Mysuru-style cooking. I ended up preparing my meals.

Back in my native place, I had never fallen ill, but the new environment in Mysuru took a toll on me, and I experienced health issues for the first time. The language barrier also led to moments of isolation, as I often felt misunderstood and unable to express myself clearly.

SOM: How did you overcome the language barrier?

Geetha Montadka: It wasn’t easy. Even today, I naturally express myself in my native language during casual conversations. However, on stage, language has never been a problem. I made a conscious effort to improve my Kannada by regularly reading newspapers and magazines — a habit I continue to this day. This dedication helped me gain fluency and allowed me to take on a variety of roles in Rangayana’s productions.

SOM: What were your first impressions of Rangayana and B.V. Karanth?

Geetha Montadka: I was one of the 25 artistes selected from 800 candidates, following three rigorous rounds of interviews. The process was particularly challenging for me due to my language struggles. Though I managed to clear the selection, the real test began afterwards.

Initially, I was not given lead roles, and I often felt disheartened about missing out on good characters. However, B.V. Karanth became my guiding light. He encouraged us to read extensively and arranged literature classes, which greatly enhanced our linguistic and artistic skills. His mentorship was invaluable — he was, and will always remain, the best teacher I’ve ever had.

SOM: How difficult or easy was it for actors to adapt to different directors?

Geetha Montadka: Directors have their unique vision and working style, and as actors, we had to adapt accordingly. With every change in Government, Rangayana saw new directors, which meant frequent adjustments.

Some directors gave us creative freedom, allowing us to collaboratively shape a play, while others had a more defined vision, requiring us to strictly follow their directions. Both experiences were enriching, as they exposed us to diverse perspectives and allowed us to work with people from various backgrounds. It was a constant learning curve.

SOM: Rangayana has completed over three decades. How do you view its growth?

Geetha Montadka: The period under B.V. Karanth was like the golden era of the Vijayanagara Empire. Our time with Karanth was incredibly enriching — we delved deeply into language, literature, and the cultural roots of theatre. It was a time of learning and artistic exploration.

However, in the later years, uncertainty loomed. Since our jobs were not permanent, we felt insecure — especially me, as I had left a stable Government job to join Rangayana. We struggled for years to earn a decent salary.

Some artistes eventually left Rangayana due to job insecurity, despite having given their all to the theatre. There were moments when I, too, considered leaving. It was only after years of persistent struggle that the State Government extended job benefits to us, offering some much-needed stability.

SOM: With your retirement just months away, have you planned for the future?

Geetha Montadka: Fortunately, I have a supportive family that has stood by me throughout my journey. Post-retirement, I intend to stay connected with theatre. I am eager to collaborate with amateur theatre groups if invited, as working with young, passionate artistes excites me. Additionally, I plan to publish the plays I’ve written over the years — a dream I’ve long cherished.

SOM: What is your message for women on the occasion of International Women’s Day?

Geetha Montadka: Women empowerment shouldn’t be limited to speeches and stage events — it must begin at home. True empowerment starts when every household encourages equality, allowing women to make their choices and pursue their dreams. I’ve always viewed men and women as equals, and I believe this mindset is key to building a balanced and progressive society.

Her message on World Theatre Day today: “Let us save and build theatre and continue to respect theatre artistes.”

Geetha Montadka: Carving her path in theatre

Hailing from a traditional family in Sullia, Dakshina Kannada district, Geetha Montadka was determined to take a different path. Born to Montadka Sheshappa Gowda and Venkamma, she completed her education in her hometown.

Her passion for theatre was so strong that she made the bold decision to quit her Government job and join Rangayana Mysuru in 1986. More than just an actor, Geetha is also a talented singer and mimicry artiste, adding versatility to her artistic repertoire.

As a student of the legendary Ranga Bheeshma B.V. Karanth, Geetha has enthralled audiences not only through her performances but also through her work as a playwright and director. After an illustrious career spanning over three decades, she is set to retire this May, marking the end of a remarkable chapter in professional theatre.