City artisan couple’s miniature mantra for success

By Nandini Srinivasan

From selling miniature wooden furniture on the footpaths outside Mysuru Dasara Exhibition to crafting intricate replicas of Mysore’s iconic structures, J. Murugesh, the man behind ‘Mysore Miniatures,’ has carved a unique niche in the world of handicrafts.

His journey is a tale of resilience, creativity and community support that transformed a modest hobby into a thriving cottage industry.

It all began 35 years ago when Murugesh hand-crafted the first wooden miniature of the Mysore Palace. Though rudimentary compared to today’s polished models, it was the seed of an idea that has since blossomed into a celebrated craft.

Now, his workshop hums with the efforts of 20 skilled women who meticulously assemble miniatures of Mysuru’s iconic landmarks, including Mysore Palace, prominent Circles like K.R. Circle and Silver Jubilee Clock Tower, as well as Bengaluru’s famed structures.

Murugesh’s story is deeply rooted in humble beginnings. After completing his SSLC, he joined his uncle as an assistant and learned the art of wood inlay work. During lunch breaks, he would collect wood scraps and transform them into miniature furniture with his nimble fingers. This hobby soon became a small-scale venture, but his first attempt at selling his creations during the Dasara Exhibition  almost ended in despair.

Initial recognition

“I spread a small carpet at the expo entrance and displayed my work, but no one even glanced at it,” Murugesh recalls.

Lalithamma of Gopika Agarbathis noticed his talent and purchased his pieces. Her encouragement was the turning point. She not only motivated him to continue but also became his first customer for a hand-crafted model of Mysore Palace.

Through Lalithamma, Murugesh connected with R.G. Singh of Ramsons Kala Pratishtana, who played a pivotal role in expanding his creative horizons.

Singh’s ideas and support helped Murugesh create miniatures of other beloved Mysuru’s icons, such as the Aane Sarot (elephant chariot), camel carts and bullock carts. Murugesh fondly credits both Lalithamma and Singh for their unwavering guidance, which shaped his career. What began as ‘Murugesh Handicrafts’ evolved into ‘Mysore Miniatures’ seven years ago, with a shift to modern manufacturing techniques.

Today, the intricate parts of these models are cut on lathe machines, but the human touch remains essential. A team of skilled women assemble the pieces with precision and care, ensuring the charm and authenticity of the miniatures.

The 69-year-old Puttamma, who, despite not having attended school, now understands measurements with impressive accuracy. “Precision is her mantra,” Murugesh says proudly of his team’s dedication.

Bringing replicas to life

Nestled in Karakushalanagara, near the Ring Road and GRS Fantasy Park, lies the creative workshop of ‘Mysore Miniatures,’ a testament to artistic ingenuity and community spirit. Here, a team of 20 skilled women meticulously bring miniature replicas to life, performing tasks like polishing, soldering, cutting, assembling and colouring with finesse and passion.

For Lakshmi, a dedicated artisan with 17 years of experience, her craft is more than a job. “I feel proud creating these world famous structures,” she shares. She credits the simplicity of the designs provided by ‘Anna’ — as Murugesh is affectionately called — for making her work enjoyable and fulfilling.

Unlike traditional industries, this workshop has no production stress. The workflow is dictated by orders, fostering a relaxed and co-operative environment. Among the youngest team members are Sangeeta and Rakshita, both having completed their 2nd PUC, who eagerly learn the intricacies of the craft from senior artisans, many of whom have never attended school but possess exceptional skills and experience. The workshop produces an array of miniatures, from Mysore Medical College and Research Institute, Chamundi Hill to Jaganmohan Palace, the old wooden Palace, CFTRI and St. Philomena’s Church.

Palace, a crown jewel

Mysore Palace, however, remains the crown jewel. Its smallest model measures six inches, while the largest reaches an impressive 40 inches, complete with a compound wall — a must-have for collectors seeking an authentic replication of the royal city.

Beyond Mysuru, the collection also features landmarks like  Vidhana Soudha while work is underway to create a model of Ayodhya Ram Mandir. Depending on the size, assembling a model takes anywhere from half a day to a full day, showcasing the intricate craftsmanship involved.

Murugesh, supported by his wife, Nagajyothi, firmly believes in employing and training women. “Women are naturally deft and quicker at such intricate art,” he explains, highlighting his commitment to empowering them.

A self-taught artisan, who mastered his craft through trial and error after passing his SSLC, Murugesh expresses the need for Government support to provide technical training for artisans. “Such training would help us refine our skills and create even more appealing designs,” he says.

He fondly recalls the encouragement he received from the then Deputy Commissioner of Handicrafts, Devarmani, who enabled him to showcase his work at exhibitions. His first exhibition, during the Car Festival at Udupi’s Palimaru Mutt, was a resounding success, with every piece sold out. Since then, Murugesh has exhibited his creations across India, garnering admiration and recognition for his craftsmanship.

Karakushalanagara, home to over 480 artisan families, is a hub of creativity. While some specialise in Mysuru’s famed wood inlay work, others, like Murugesh, have turned their passions into thriving cottage industries. For those unable to start their own ventures, working for others ensures the continuation of this rich artistic legacy.

Through his dedication, Murugesh has not only preserved Mysuru’s heritage in miniature form but also fostered a community of artisans, empowering them to carry forward the tradition of craftsmanship that defines the royal city.